Showing posts with label Onyeka Nwelue. Show all posts
Showing posts with label Onyeka Nwelue. Show all posts

Saturday, January 1, 2022

Amazing Story Of Onyeka Nwelue, Nigerian Youth Who Founded James Curreý Society In UK

Onyeka Nwelue image courtesy of Onyeka Nwelue


BY LUMINOUS JANNAMIKE

ABUJA (VANGUARD)
-- Anybody that observes the stable rise of Onyeka Nwelue in the field of African literature and how he has been able to build for himself an empire around the art of storytelling, may not know that this has been the childhood ambition of the Imo-born academic and entrepreneur

Onyeka studied Sociology and Anthropology at the prestigious University of Nigeria, Nsukka (UNN) before earning a scholarship to study Directing at the Prague Film School in Czech Republic.

Nonetheless, he has always had a strong desire to become literary giant, an ambition he never considered quitting even as he worked hard and persevered through all the odds that came his way.

While reminiscing on his past during a chat with Sunday Vanguard, the UK-based Nwelue said that since childhood, he had always dreamt of becoming wordsmith, adding that his successes in life were divinely orchestrated by God.

He said, “I started out as a visual artist. My parents were very supportive of my craft. My aunt, Flora Nwapa, Africa’s first woman to be published by James Currey lived with my mother. So, when I said I wanted to be a writer, they all supported it.

“I began writing in English when I was 12 years ago. I didn’t struggle as a child. Not at all. I was greatly supported by family. They thought what I chose to do, is honourable.”

Born in 1988 into a lineage of talented griots in the enterprise of storytelling, it is no wonder that Nwelue was able to grow to become an outstanding artist whose achievements cut across filmmaking, book authoring, publishing and selling as well as talk-show hosting. He is one of Africa’s most respected personalities in Oxford, UK.

Speaking of his roots, “I hail from a lineage that, on both the paternal and maternal branches, is steeped in the knowledge and traditions of the Igbo people, a lineage that is characterized by academic and professional distinction in various spheres, and members of whom have consistently ventured into and distinguished themselves in public service. I think because of the kind of support I got from my family, my life was shaped into believing so much in my craft. I have also had to dig deep into my ancestral line.”

When clocked age 27, his book ‘Hip-Hop is Only for Children’ won the ‘Creative Non-Fiction Book of the Year’ at the 2015 Nigerian Writers’ Awards. Three years later, his novella entitled, ‘Island of Happiness’ which was adapted into an Igbo-language film, ‘Agwaetiti Obiụtọ’, won ‘Best Feature Film by a Director’ at the 2018 Newark International Film Festival.

His quick understanding of the intricacies literature helped him to secure an opportunity to study Ancient Classic Literature, under Professor Martin Puchner at Harvard University.

While James Currey co-founded the African Writers’ Series with Chinua Achebe under Heinemann Publishing and published over 250 books by African writers, Onyeka Nwelue founded the James Currey Society, through which he established the James Currey Prize for African Literature and the James Currey Fellowship in cooperation with African Studies Centre, at the University of Oxford.

Nwelue’s unbelievable journey isn’t just about fame and fortune, but also about putting them to worthy causes. He believes in giving back to society. The literary icon has been a regular philanthropist to the needy around the world. He does whatever he can in his capacity to support the education of the youths.

He said, “I established the Onyeka Nwelue Scholarship for Outstanding Imo State Economics Student and I hope this can last longer. I am helping set up and build a film school in Haiti. This is different from the James Currey Prize and many others I want to set up. I have a publishing house, Abibiman Publishing in London and co-founded World Arts Agency in Johannesburg.”

At 33, Nwelue is an Academic Visitor at the African Studies Centre at the University of Oxford and the English Language Department of the Faculty of Humanities, Manipur University in Imphal, India.

Having lived in Mexico, France, the US and now splits his time between the UK and South Africa, Nwelue is also an expert in the music industry with the aim to make La Cave Musik, his record label, bigger and influential while producing stars in the industry in a bid to take over the global music industry.

Like millions of Nigerians, Nwelue dreams of a secure and prosperous Nigeria but insists the youths must rise to the occasion by acquiring education and participating in politics.

According to him, “We are living through a critical period in the Nigeria story. More so, we are living through defining times for Ndigbo and the South-East. Given the insecurity crisis and a case of snail-speed development that is now being reversed, fresh thinking is required to chart the course forward for the country. Young people should get involved in education and politics by all means. They may just find their life purpose through these platforms.”

Wednesday, December 1, 2021

The Nwelue Legacy: Emancipation Of Slaves And Their Education

BY ONYEKA NWELUE





In 1821, centuries after the Portuguese first arrived and met with the Igbo people in the 15th century, as my recently deceased grand-uncle Nze Christopher Nnadum would tell me, my paternal great-great-grandfather, Nze Ukwu Nnadum, asked that Nwangborie Iwundu, a woman from Umuezeala Nsu, who was sold into slavery to the Portuguese merchants, be allowed to return to Nsu, from where she had been taken as a slave and sold to the Portuguese.

It was Nwangborie Iwundu who brought Christianity to my village and helped begin the building of St. Paul’s Cathedral in 1903.

A scene played out in my people’s history. It is about Nwangborie Iwundu. When the envoy of Eze Nsu Palace travelled, they heard someone speak like them; in the same accent and intonation.

When my grand-uncle told me the story of my paternal great-great-grandfather, Nze Ukwu Nnadum, how he was the Royal Court Adjudicator at the King’s Palace and how he translated for the Palace when the Portuguese arrived in my town, I needed to know how he learnt to translate.

That question was never answered because nobody knew. It’s still a mystery that I am trying to understand today. However, I am quite sure that I belong to the Nze na Ozo caste, which is the caste of intellectuals.

According to this story published by Vanguard newspapers: ‘Imo community marks 100 years of Christianity’,

https://www.vanguardngr.com/2013/12/imo-community-marks-100-years-christianity/, “Madam Nwangborie Iwundu born on Orie day, the second market day in Igbo land was renowned as a woman who God used to introduce and advance Christianity in Ezeoke land and neighbouring towns. She was sold into slavery, waiting to be transported to the western world to serve in tobacco and sugar cane plantations.

As history has it, men from Ezeoke-Nsu notably oil merchants but nicknamed “Ndi Potokiri” (Ekeoba, Duru Ochie etc) travelled to Arochukwu to sell palm oil to the Portuguese; while these men were in the market, they came in contact with a woman called Nwangborie who spoke Igbo with Nsu accent. Through some interrogations, these men discovered that Nwangborie Iwundu was a native of Umuezeala-Nsu, a neighbouring town to Ezeoke-Nsu. She narrated that, she was sold into slavery by her own people as she then resided in the king’s palace as one of the king’s concubines.

Consequently, the men from Ezeoke-Nsu informed Madam Nwan-gborie that slavery had been abolished in their land and Madam Nwan-gborie showed immense interest to return home and settle with her people. She was given directions on how to locate home.”

Looking back at this time in history, one can afford to conclude that it was the power of language, the language of authenticity, the authenticity of the woman to even stick to her accent, that saved her.

Her authentic voice was her salvation.

Nze Ukwu Nnadum, my ancestor, as I was told, was the Royal Court Adjudicator who interpreted languages and laws for the people. He belonged to the Nze na Ozo caste, which is part of the Igbo caste system.

Today, they can be compared to the Senate and House of Representatives – or, broadly, as a member of the House of Parliament. As widely known, the Nze na Ozo society is the highest and most important spiritual, religious, and social grouping in the Igbo society of Southeast Nigeria. Initiation into the aristocratic Nze na Ozo society marks the person as nobility, but it is hereditary.

Other castes are not allowed into this sect because there is a certain way they communicate and carry themselves, with the utmost elegance, just like one conscious of his genealogy. The Nze na Ozo caste comes after the Diala caste – who are known to be the landowners.

Almost every 20th of December, or thereabouts, there is the Mbom Uzo (Ibo Uzo in Igbo Izugbe) Festival, which celebrates the homecoming of Urashi to Nsu. This festival was so elaborate in the past and observed by many, with the rituals that would take place before the procession of people to the market. Slowly, the traditions of Ezeoke Nsu began to fade away. Nothing much is practised there. Now, the question is, how do we restore the visibility of these gorgeous festivals.

With the advent of Christianity, there is a breakdown in the hierarchy, and people began to refuse to adhere to classification, which I assume is important in keeping society in check.

For the legacy of Nwelue Nnadum, we are doing our best to also remember his birth on 20th December every year.

Onyeka Nwelue is an Academic Visitor at the University of Oxford’s African Studies Centre as well as the author of 11 books, including ‘The Strangers of Braamfontein.’


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