Wednesday, December 15, 2021

The Story Of The Life Of Pita Nwana, Author Of "Omenuko" (1)




BY B.I.N. OSUAGWU AND E.C. NWANA
Translated by Frances W. Pritchett

Acknowledgments

We thank with all our hearts the many people who helped us to write and publish this book.

We thank the children and the relatives of Pita Nwana. We also thank our wives and children who had patience when we were researching and writing these things. They deserve thanks.

We also thank especially Ark Publishers who printed this book so it could reach the public. Others are Sunray Publications, Port Harcourt, whose director is Chief Philip Nkwocha of Emeabiam.

We also take the opportunity to thank especially our good friend, a great American white woman whose name is Ms. Frances W. Pritchett and who loves the Igbo language and strongly supports it.

This American woman came to Nigeria to Igboland several times. One time when she came she went to Nsukka and read to us at the S.P.I.L.C. meeting everything she wrote in Igbo and closed her remarks by saying,

Igbo people, you should persevere
So that English should not drown out Igbo.

To all of these we say "Thank you"and ask God to grant that each one may enjoy the fruits of his labors.
Dr. B. I. N. Osuagwu (KSC)
Maazi E. C. Nwanna

Omeokachie appears to mean "someone who, when he does something, does it with the maximum amount of his powers."

Foreword

While a person is alive his deeds create his reputation. The name of this book, OMEOKACHIE OMENUKO, is something that was done and came out during the life of Pita Nwana.This book was not called Omeokachie because Pita Nwana was acting like God. What we say about this is that Pita
Nwana became a person who said something, and had the belief and the determination to see that what he planned to do would be fulfilled as he expected. It was not easy.

Many times people plan something they will do but they do not have the dedication to see that the thing comes to pass. People like this try hard and pray that the thing they plan will happen. Prayer without faith through work is not effective. In Pita Nwana's case, he planned and prayed as well as working for all of those things to go forward the way he expected. It was this that caused his son to give him this name of OMEOKACHIE that is used to name the book.

One who reads OMENUKO? of Pita Nwana will wonder if what happened in that book was completely true or if it was a fiction, but if one reads this book OMEOKACHIE OMENUKO it will help him to know who Pita Nwana really was. The person will then know if the things he wrote in that book were factual or if they were folk tales.

Omeokachie Omenuko is a book about the life of Pita Nwana, a special man among men, a man who trusted his personal god and did a special work for the public without receiving any money.

This book is good, so any man and woman and students great and small should read it and see how the life of this man was. If one reads it, he should take what Pita did to make our lives today good as they should be and also make our world tomorrow better than today.

Dr. B. I. N. Osuagwu (KSC)
Maazi E. C. Nwanna

1 -- THE CHILDHOOD OF PITA NWANA

Crossing over like the morning stars
Which lost their essence (qualities) in the sun.
This is how we leave this world and die
Only our work will be used to remember us by
Only the truth we spoke when we were alive
Will be used to remember us by
When we leave this world and die

We well know that it is a very difficult thing for a person to do something that will be used to recognize his name or remember him by after he dies. People do many things at times, both good and bad. There is nothing better than a person doing good things while he is alive, which people will use to remember him forever.

Nwosu was born in Arondizuogu around the year 1881. The name of his father was Nwana, while his mother's name was Mgbokwo.

They were well known in their town, Arondizuogu. His father was a farmer, while his mother helped him.

They loved Nwosu very much. Nwosu (Igbo name: Pita) began as a child to do things that showed the type of person he would become. It is said that one can tell from childhood how a person will be as an adult. Nwosu was the eldest among his father's five sons. Nwosu was older than Chima, Chima was
older than Ikediobi, Ikediobi was older than Igboko, Igboko was older than Okike.

As Nwosu had turned out to be special, his age-mates or peers respected him in various ways. They would not go hunting or wrestling if Nwosu did not go with them. We must not forget that when a person hunts a cow and calls its name, if the person does not use his charms, he uses his rope. Any time Nwosu went somewhere with his friends, he did not fail to do something special or spectacular that was beneficial.

It is true that Nwosu was 'one who didn't see a rope and didn't tap palm trees' where his young male companions were concerned, but it did not mean that he did not help his parents. Doing errands and doing things quickly caused his mother and father to send him on any errands that were important. Before long, Nwosu began the love he had for crafts. He used to make traps and kill fish and return home. This pleased his mother Mgbokwo, which made her call Nwosu "Morning without empty hands."

The people of his land loved Nwosu very much. The adults loved him because he ran errands and was very agile. He did things that were beyond his years. The young men loved him. The young women used his name in praise songs. All these things pleased his parents. Soon Nwosu began to look after his own welfare. He then joined a certain man in their land and began to learn how to trade in the market. They traveled on foot from their land, Ndizuogu, to Onicha, where they purchased gunpowder and many other things.

One day when they went to market, Nwosu saw some white evangelists who were preaching the gospel.

Everything they said pleased him very much. When he reached home he began to ponder their words.The next day they went to market, he made a point to inquire from those who followed the white people as to what one should do to have a branch of their group in Ajali. When Nwosu reached home, he called together his friends and told them that he was going to go to Ajali. He told them what he was going to look for there. Only one of his friends agreed to go with him. When they reached Ajali, the people of that group told them that they were having meetings on the seventh day. They then started going to church in Ajali every seventh day.

Going to church in Ajali never stopped Nwosu from helping his mother and father as he had done before. He and his young men friends continued inviting others in their group, who were Okorie Onyeji, someone from the Amazu people, Osunkwo Eze and Ikediobi, Nwosu's brother. No one bothered them about their meeting-place or hampered them in any way. But soon, they started to show what they had learned. Besides various hymns they were learning, they were taught to get rid of all the customs that were not good and praying to idols.

In their land, there were several different forests called spirit-forests. No one entered them because they were places where people offered sacrifices and threw away various bad things like people with swollen stomachs, people with leprosy and plague, as well as those who had been killed by other things. There were rivers in their land where one did not go fishing. The rivers were Anammiri Imo and Okwara-afo. The first thing Nwosu invited his friends to go and do was to fish in Anammiri. Since no one had been fishing in that river, they caught an amazing amount of fish that day.

When they returned, his mother did not allow him to take them into her kitchen. That day, Nwosu looked for a pot, spoon, and fire, and cooked his fish. The other members of his group joined him, but they were not completely confident. Because of this, when their mothers and fathers found them out, they hurriedly threw away all their fish. When these people went to their friend Nwosu to ask him how he was getting along, they saw him eating and wiping his mouth.

Another thing that happened that surprised many people was entering the Ngene-Onicha forest and completely clearing it. This made many people of their land think that perhaps he had something wrong with his head. They then whispered among themselves that perhaps his father was aware of what his son was doing. Since Nwana Izuogu his father was born, no one had entered this forest, let alone cleared it. A few people came out and acted as though they did not see what Nwosu was doing.

Onwukaeme was the only one who saw him and snapped his fingers and said that where a child takes bow and arrow and shoots a vulture, is there not also an adult there? He scolded Nwosu and told him to come out, the vulture is not an edible animal. If the vulture were an edible animal, people in the time of the ancients would have eaten it. The one he was addressing did not pay attention as though it were he being addressed. nother thing Onwukaeme said was that "If one who is being treated for hernia gets a swollen stomach, he will not fail to get what he is seeking in the bad bush."

2 -- PITA'S NEW FAITH

All these things Nwosu was doing upset all the elders and the priests because it is said that if nothing is done in the beginning, it can bypass the one in front and affect the one in back. It is said too that it is not good for an elder to stay in the house while the goat gives birth on a tether. They then started to plan what they should do. So they called a meeting. The ones they invited were some elders and some priests. They also invited Nwana Izuogu, Nwosu's father. Their meeting-place was in the obi of Okoro Okeke. The meeting was held in the evening.

When they started, the first one to speak was Mr. Onwukaeme, who had seen Nwosu on the day that he was clearing the Ngene-Onicha forest. He then said, "My brothers, what you do not see on the body of the female goat, you will not see on the body of its child. This child Nwosu Nwana, the rain that he is going to cause has not yet fallen. It is said that what the chicken pecks up it scrapes up with its feet. The reason that I say this is that if two people like Nwosu were born in our land, tragedy would befall us. Therefore, let us take out the firewood that is smoking before the fire spreads."

After he finished speaking, one voice asked Nwana Izuogu if what was said was clear to him. Nwana then replied, "Our people, since the time Nwosu my son entered the congregation that they are attending in Ajali, we have been at odds [if I say up, he says down]. Something one does not know how to do, a way to do it exists. If you completely knock down a shrine, there is no one to perform a divination. But be aware that one will not on account of a child defecating badly wipe its bottom with agamevu [a prickly plant]." Silence was everywhere. Ozowara then said, "Nwosu is not a yam that you blend with the cocoyam. As Onwukaeme said, if there were two Nwosus in this land of ours, a bird would fly right across its nest [i.e., there would be a disaster]. What you are silent about is that Nwosu is too much for his father and is too much for all of us as well. We are the ones who own this land. What we say will be done. The one we tell to stay will stay; the one we tell to leave will leave. We tell someone, tie a palm frond on Nwosu's hand and drag him out to the market." Udensi then said to him, "If you say, drag Nwosu out to the market, you and Nwosu, which one will sell the other"

Ozowara became very angry. He then said that he should be given to Udensi and he could sell this minor child Nwosu all by himself. "Who is greater than I who use mouth to eat yam and cocoyam and will ask me and Nwosu which one would sell his friend?"

They both then began to quarrel. They scolded each other loudly. The meeting ended that day without any decision.

When Nwana reached home it was midnight. Only his chief wife, Nwosu's mother, was awake. She then asked him, "Did this evening's meeting go well?" Nwana told her that it was all right. By the time his wife brought him food, before she went out Nwana had fallen asleep in his chair.

Mgbokwo: Father, have you gone to sleep?

Nwana: Mgbokwo my wife, if the dog remains tied up is it like . . . ?

Mgbokwo: Please do eat something.

Nwana: What food is it? Is your son Nwosu in this house?

Mgbokwo? Father, what is the matter? He is here.

Nwana: It was only matters about Nwosu that everyone who attended the meeting today talked about.

Mgbokwo: Please, continue eating. Is it something about Nwosu that is keeping you awake?

Nwana: I told him that if the ram that grows horns, the back of its neck must become strong. Seeing and not speaking kills the adult, but speaking and not hearing kills the child. It is indeed true that it is not only in Ndizuogu that the new congregation came out; however, Nwosu is a person who takes learning to the utmost. Whether the kinsmen will try to kill him and the members of his group will save him, that is what I, Nwana, do not know. What I do know is what the people of our land say they will do to him. I have nothing more to say.

When Nwana finished eating, they retired. Everyone was pondering Nwosu's situation. At dawn, Udensi came to ask Nwana what he thought about his son Nwosu. When he entered, Nwana greeted him,he responded and called Nwana by his warrior name which was OGBU-KA-IYI. Nwana answered him. After they finished the morning hand-washing, Nwana brought kola and invoked the spirits, saying:
"God in heaven, chew kola
Izuogu chew kola; Iheme chew kola
Eke, Orie, Afo, Nkwo, four markets
Four weeks, whatever the day brings, let it eat.
What a person knows, knows him.
Nwosu my son, this thing you are doing
People are talking everywhere about you;
If it is good, let it belong to me and my enemies
But if it is bad, let it be on your head."

After he finished this invocation, Udensi did not know what to say, because when death seeks the one he will kill he has seen the corpse that is carried on the head.

While these things were happening, Nwosu and his group were discussing their baptism and how a church of their own could be brought to them in their own land.

The head of their church, a priest, told them that any time they finished their building, he would personally come and bless it and then baptize them.

They were very happy that the priest would come to open their building whenever they finished it. Because of that, they went steadily ahead with their work. Many people had already begun to side with Nwosu and his group. Some who secretly joined them went and fished in the Imo River in waters where no one had fished before, and all the fish in it were taboo. They were afraid of nothing that was in the water, they would be selecting the one they wanted.

Not long afterward, they finished building their church, then went to Ajali and told the priest that they had finished building their church. They and the priest then decided when he would come and open the church for them.

The priest also promised them that on that day they would be baptised. He also told them that they should keep on looking for food and wine because very many people would be coming with him. Some would come from Adazi, Onicha, Oka, including those joining him from Ajali. They and the priest then agreed that it would happen in the eighth week, or the fourth church week.

When they returned, they divided the work each one should do, like apportioning to everyone what he was able to do. Nwosu promised that meat and fish would not be a problem, that he could bring enough for everything they were going to cook. He said that anyone else who killed an animal or fish for them must be sure to dry it over the fire. Regarding the wine, since everyone of them was a palm wine-tapper, that was a job that they agreed should fall to everyone, that is to bring wine.

Another thing they did was to see that they finished everything that was important in that building, like building the seats. They then molded the clay and made ten seats inside the building. They all worked hard--those who fetched water, those who molded clay, those who carried loads, and those who worked at anything they were assigned to do. Soon, all the work was finished. Peoople were surprised at the way that church work was finished speedily, and to all specifications exactly as they wanted it.

3 --NWOSU IS BAPTIZED AND TAKES THE NAME OF PETER (PITA)

The second meeting the elders and native-born citizens held concerning what would should be done to Nwosu and his group was held in the house of Mr. Ogbu-onye-isi-ogu. The reason he was called Ogbu-onye-isi-ogu was that his followers then scattered like an oil-bean seed. Another name this man was called was Okwu-a-na-aso-anya. The reason he was called a name like this was that there was no one he avoided any time he wanted to talk. He also believed that a matter that was avoided would not end speedily or quickly. Therefore, any time one wanted to discuss an important matter, or a matter one wanted to end quickly, the matter would be taken to his house.

When Nwana was preparing to go to the meeting, he called Mgbokwo and told her that they they were going to judge his son Nwosu. After he left, it was not long before Nwosu entered. His mother then called him and told him that his father and others had gone to the home of Ogbu-onye-isi-ogu to decide what would happen to him. Nwosu did not answer and just ignored her [sent her to market]. His mother then told him that one who did not agree would agree on the mat. Nwosu then began to think about what he should do.

At no time did he have second thoughts about his faith in the church. His only bolster was that any time something was difficult, he would run out and go to consult their church teacher in Ajali.

While they were in their meetingplace, Nwosu came close to the house of Ogbu-onye-isi-ogu, climbed the oha tree that was there, and observed them where they were meeting and heard everything they said. Ogbu-eme-nwa then asked Mr. Nwana what his thoughts were about all the abominations his son was committing. Nwana replied that he loved his son, but he would not tolerate his father being reincarnated and then overfeeding him. He also said, "Anything you do so that Nwosu learns something will benefit me as well as all of you. But be aware that it is not only in Ndizuogu that this church has come." They then asked him if the church people in Ajali were doing all these things that Nwosu was doing. Nwana replied that "If someone tells what he is suffering, he is thrown out alive."

Finally, they all agreed that Nwosu should be sued [nwa nnunu]. Anyone who has been sued has suffered. The elders and the chief join together and sue that person in court. When that person comes to court they tell him to step up into the dock where he cannot see anyone else who is being
judged. The chiefs will fire questions at him. Finally, they will decide among themselves what will be done to that person.

It will be remembered that Nwosu was in the tree listening to what they were doing in the meeting when they decided this. Not all of them felt good about it, but no one said a word. They then chose the ones to go and bring the court action and the time they would go. But whichever place they decided on to hold a yam feast, they did not want there to be any quarreling before the yam feast was over.

When Nwana returned in the evening, Nwosu asked him, "Have you all finished the secret meeting you were holding? I thought that you were going to talk about destroying our church."

Nwana: If that is done, what will you all do?

Nwosu: Do you ask what we will do? Did you all not hear what happened to Uga's people?

Nwana: What happened to Uga?

Nwosu: When Uga shot the European gun, where were they?

Nwana: Go and sit down, I am tired of talking; if you tell the ear and it does not hear, when the head is cut off, it and the ears go to death together. My son, listen to the [story of the] squirrel who was chattering in the forest, the broad leaf then told the squirrel to please shut his mouth, but the squirrel continued loudly. The broad leaf then told the squirrel that the reason he told him to shut his mouth concerned the lives of both of them. In a few minutes, a hunter came and shot the squirrel, then broke off the broad leaf and wrapped it up. The broad leaf then told the squirrel that what he told him had come to pass. Do you understand my meaning?

Nwosu: No matter what is said, whether the squirrel says or does not say something, in only a few days the pastor will come to open our church for us.

The day the teacher came to prepare Nwosu and his group for the coming of the pastor was a big day. The teacher told them that the bell would be rung, a first time and a second time. They then would start the meeting. The teacher taught them many other things of various kinds that they must learn about before they were baptised.

Question: Who created you?
Answer: God created me.
Question: God created you for what purpose?
Answer: God created me to love and worship him.
Question: How do we know that God exists?
Answer: The world and everything in it tell us that God exists because there is no one who can create all these things.
Question: Do we need to sacrifice to approach God?
Answer: No, God does not want sacrifices in the way that our ancestors sacrificed to gods made by hand. Rather, he wants us to give ourselves to him with all our hearts.

Those who were going to be baptised had to learn the ten commandments and know them by heart and also be able to read them at any time. The commandments were these:

First: you should have no other gods besides me
Second: do not take the name of God in vain
Third: remember the sabbath day and keep it holy
Fourth: honor your father and your mother
Fifth: you should not commit murder
Sixth: you should not commit adultery
Seventh: you should not steal
Eighth: you should not bear false witness against your neighbor
Ninth: you should not covet your neighbor's wife
Tenth: you should not covet your neighbor's property

After they learned these things and all the various prayers, they then related to the teacher the various troubles they were having. Nwosu told him that he was close to being kidnapped and sold out because he did not worship all the gods in their land. He also told him that the people of his land were determined to punish him or make him suffer if he did not leave the church.

These things made the teacher feel sad. He then comforted them and read to them what was written in the Bible Book of Matthew, chapter 5, verse 6:
Any time they blame you, trouble you, say various bad things against you falsely because of me, rejoice and be very glad; because this is the way they persecuted the prophets who came before you.They finished by singing, "Send, send, the good news which is a blessing so it can be learned everywhere, send, send."

After they finished, Nwosu told the teacher that another thing on his mind was that any time anything was hard for him to do, he would pack up and go to him in Adazi. Especially since his father had joined in wanting something to be done to him.

The teacher told him that they should read what was written in the Bible in First Corinthians chapter 16, verse 13:

Stand firm in your faith
Be manly, be strong
Be persevering, be steadfast
Some will hate you
Others will scorn you
Ignore them and look upward
Trust in God

Some of these words strengthened Nwosu's heart. The teacher pointed out to them the examples of several people whose stories were in the Bible who had suffered because of the word of God. People like Stephen, who was stoned to death. Peter suffered very much because of following the way of God. Job suffered enough for everyone to use as an example.

After he was finished, the teacher told them many different things they should have ready for the day when the priest would come to baptise them.

On the morning of that day, Nwosu made ready and wemt and rang the first bell. Shortly after the morning sun came out he rang the second one. It was not long before the priest's carriers arrived. They all then went out to the road to welcome the priest and his people. He then asked them if they had prepared well, because he had sent word to many people from other towns to come and join them in this great event. He told them that many people would come from Adazi, Umunze and Agulu. This made Nwosu and the others hurry around more than they had expected to.

When all these people had arrived, the priest told them to go and ring the bell. They all then began to sing hymns and pray and chant and tell the good news from the Bible which was the word that came from God.

It was not only Nwosu and his group who were baptised that day; many of those who came from various other towns were baptised as well. Nwosu then changed his name. From that day on, his name became Pita [Peter]. His friend Okike Maduagwu answered to Stephen. Another answered to Job, because they said in their hearts that if they suffered what Job suffered, they would not go back on their words. No one answered to Jonah, because they were very surprised and amused that a fish swallowed Jonah and carried him in its stomach for three days.

The townspeople who came to find out what was happening were numerous as the sands of the earth. This caused the whole church compound to be filled with people. They watched them and heard the hymns they were singing.

Come so you can be baptised
Wash away your sins
You will have a covenant with Jehovah today.

4 -- PITA COMMITS AN ABOMINATION

From that day on many of our people began to look at that church with suspicion. On Sunday, some of them would come secretly to join the singing. When some of them reached home, their parents knew that they had gone to church and did to them what the elephant did to the oil palm. Some joined in fishing in the Imo, but they did not allow their parents to find out.

As was said earlier, from the day of his baptism, Nwosu answered to the name of Pita. Also from that day, a number of young men began to take a great interest in that group. Above all, they loved each other and ran errands for their mates a lot.

One day Okike's brother, the one who answered to Stephen now, contracted leprosy [white sickness] and died. All the people of the village gathered to find out what the church people would do. Everyone knew very well that leprosy was a sickness to be shunned. The church people then gathered together to pray, took the man and bound him on a mat, went and buried him. They also held a big funeral for him. The village people then expected that they would all contract leprosy. Nothing happened to anyone, not even a rash.

One Sunday, the village people put on a masquerade and made it go and block the road, so that when Pita and his group came from church it could give them a thorough beating. When church was over, the masquerade prevented the women and children from leaving. They then ran back and told the men. When Pita came there, the masquerade called him Pitaee. Pita said o-o, and said that since he knew that his name was now Pita, all was well. Pita then said to him, "Please masquerade, allow the church people to go home. Human beings and spirits do not contest for a rat's ear."

While they were speaking, a flutist called to Pita and told him to run away quickly, that someone stronger [who had pepper] had come. Since Pita was hearing what the flutist was saying, Pita asked the flutist if he was the one with pepper or if it was the masquerade who had pepper. The flutist then cried what the bird cried to the millipede. The masquerade leader then started to address him by various names like this:

It is satisfying!
It is satisfying!
It surprises the dog O
It surprises the dog and it bites its owner to death
The bad dog is excessively greedy - It is satisfying!
The bad lizard runs around before the spirits
The corpse of this lizard is carried by the tail
It provokes the strong man and challenges him
It happens all around
If you do not act like a snake
Children will take you and make a rope

While this person was saying these things, the flutist was playing his music, the masquerade felt as though he were carrying the sky and earth on his head. He then applied a whip to Pita's waist and whipped him! Pita thought to himself that what he had been wanting had happened. Pita then lifted the masquerade up and threw him to the ground and climbed on top of him. Everyone gathered there, both men and women, and saw for the first time that a man was beating up a masquerade, and they thought that the masquerade would come up with some different kind of maneuver.

But when Pita shouted that the masquerade was biting him, it was clear that the spirits were tired. When the herbalist keeps on mixing the medicine for cutting ichi marks, you can be sure that his sorcery is exhausted. Because of the masquerade's biting him, Pita beat him up thoroughly. The masquerade then shouted in a loud voice, "Nwosu! Hey! Pita. Pita Nwana, Nwana Izuogu. Mgbokwo don't kill your brother o!" Pita asked him, "Are you a man or are you a spirit?"

He said that he was a man. Pita then asked him, "Does that mean that you are not a spirit?" He said to Pita, "Didn't you know that when dawn comes, the one who carries me [the masquerade] changes into a man?"

While all this fighting was going on, all the people who had come out of the church had a chance to get away. When those who followed the masquerade, the flutist, the drummer and the one who called him great praise names saw that the one who had been on the ground had fallen on the one who had been on top, and this had become a disgrace, they ran and begged Pita to leave the masquerade alone. So he left him.

This struggle caused pandemonium everywhere. Some said that what Pita did was extremely wicked. Some asked why the masquerade agreed to fight a human being. The elders said that the house that people wanted to destroy had been burned. If you look for a way to eat ants, the ants fall into the oil. This meant that they had seen something they could use to finish off the young man who put aside Nwosu as his parents had named him, and now answered to Pita. They then held another secret meeting. This time, they did not tell Nwana that they had set a time for a meeting. They agreed that they would sue Pita in court. They then sent various gifts to the court clerk so he would do for them what they wanted, which was for Pita to be put in jail.

On that day, it started to rain in the morning and continued all day. No one went outside or to the farm to get something to eat. The Imo River flooded and filled the forest and the roads. The riverbed swelled because the Okwaraafo was flowing into the Imo, but since the Imo was completely flooded and overflowing, it could not handle all that water and it entered all the forest and farm land. This is why the people said that rain hunts. Because of this all the wild animals, those that live in water and those who stay on land and those who live inside holes, ran out staggering around. The townspeople then came out, both those who had guns and those who had knives, to see if there were some wild animals they could shoot. Nwana told Pita that he should not join in the hunt but Pita refused. It is true that Pita had committed an abomination in growing his upper teeth first, but his father Nwana loved him. The reason his father told him not to go was that his enemies could conspire to take guns and kill him in the forest.

When Pita went, he seemed to know what his father had in mind, so he avoided every place where the others were. Soon, he saw a water python with its head stuck in a bunch of grass but the rest of its body was on top of the ground. Pita was very frightened because the snake was huge. Pita pierced it with one knife-stroke. The snake wrapped itself all around the trees there and broke them. Soon, the whole forest looked like a place where two strong men had had a fight. Since the knife had cut it badly, it was not long before its strength gave out. Pita then looked for a good strong rope, tied it around its tail and dragged it home. Pita acted as though he had gone to pick up something he had left there earlier. A crowd of people joined him in returning to his father's compound. When his father saw what his son had carried home, he chased him away with the thing he was carrying. Pita then called the church people and they skinned the snake.

The fat on that snake would fill three baskets. It was as long as 24 footsteps of one adult man. They finished cooking it and sent out word to those of their group in Ajali, as well as those in Oka and Umunze. The story of the python then spread everywhere. Some people would not believe that the one who killed an animal like this would survive until dawn, because if a child gathers more firewood than his peers it is said that he gathered it in the bad bush.

Three days later, a court messenger [colonial policeman], or kotima, traveled not knowing the road, not losing his way, not getting lost in the forest, and came looking for Pita. When he came, Pita was not at home but his mother and father and Ikediobi, Pita's brother, were at home. At that time, people avoided kotima the way they avoided evil spirits. The kotima told them to go and find Pita. If Pita was not found, he would take his mother. When Ikediobi heard this, he broke into tears. He was crying and looking around for Pita. When he found Pita, he said to him, "Is it you that the policeman is looking for? Come on now. He says that if you do not come, he will take our mother Mgbokwo."

"Are you saying that he is a policeman, or is he a kotima?"

"I don't know. All I know is that you are the one he wants."

The two of them then started home. When they arrived, the kotima was in the house doing nothing but scolding. As was said at first, the kotimas were avoided the way white people were. When Pita entered the house, the kotima then continued to scold loudly. Nwana then said to him, "Sir, take it easy. The one you came to arrest has not run away, and you are not searching for him. I know that the child whose father is a thief kicks doors down."

The kotima expected Pita to be afraid or to run away when he saw him; on the contrary, when he came in, he asked the kotima if he was the one he wanted, and he said "Yes." Pita told him they should go at once. Nwana then told them to wait so that food could be cooked for the kotima to eat. Pita told him to go to the place of those who sent him so they could feed him. When the kotima saw that Pita was standing firm in what he was saying, he told them please that they should bring food for them to eat, since the place they were going was far away.

While the kotima was eating, Nwana asked him, "If one were to reach Ugwunchara today, when would the judgment take place? Pita, when will the chiefs of our land come to judge him?" The kotima said that his court case would be the next day. Nwana again asked him, "Where will Pita be until tomorrow?" The kotima said that Pita would be taken to jail. "Are you going to handcuff him?" The kotima told him "No-o. e will not be handcuffed because he has not stolen anything." Nwana sighed and ground his teeth. He said to them, "All right then, go well." When one is thinking about what he is going to plead in court, does he know what the judges will ask him?

I know what I will say, if people say that I gave my son bad advice.

5 -- THE COURT MESSENGER TAKES PITA TO COURT

When the kotima was looking for Pita, those who heard it thought that a disaster would occur. Some stayed in the road to see when the kotima would take Pita and what he was going to do. When they came out, what they saw in the pot was not soup. Some asked themselves, "Is it Pita arresting the kotima or is it the kotima arresting Pita?" The reason they said this was that Pita did not act sad about it. His heart was strong as a rock. His legs were stronger on the ground than those of the kotima. This made them say that the snake always gives birth to something long, which meant that Nwana had a child who resembled him in bravery.

Pita and the kotima then began their journey and reached Afo-Umu?na. The kotima wanted to drink some wine, but he couldn't enter the market wearing the kotima uniform. If he did that, the market people would run away. So he thought about what to do, then took his hat and put it into his bag. He also took his belt and put it into his bag. He undid the items he had tied around his waist and put them into the bag, and gave it to Pita to carry. When he arrived at the place where elders were drinking wine, no one looked at him as a government person. They told him that if he wanted to drink wine, he should come and join them in pooling some money to buy one bottle of wine to drink.

Since this was their custom, they then pooled money and bought one small pot of wine and told him that they would be four people drinking it because the price was six cowries, and it would cost them one head of cowries and three pieces. The kotima agreed. They then poured out the wine and were drinking. One of them brought out kola, they broke it and ate. Those who had snuff brought it out too, and they took it. Then they told several long stories of various kinds. Soon, the wine intoxicated them and their voices rose and fell loudly. Then they started to look for someone who would drink the dregs (lees) of wine. One of them said that they should first collect the money before they finished drinking wine. After they got the money together, the kotima told them to give him the dregs to drink, since he was traveling a long distance.

They then asked him, if he was going to drink dregs, if he was an elder or what? He told them that it was not something he was concerned with. He told them that their lineage, both their children and their adults, should come to an end. The wine had started to affect him. This was something very bad that he told them. They then said that even if it pleased this man to become Igwekala, he should not touch their wine to his lips any more. The kotima said, "Pour out the dregs and give it to whomever you want to give it so I can see it for myself."

They then poured out the wine and wanted to give it to an elder, but the kotima flatly refused and began to stamp on the cup of wine. They became angry and took the wine and poured it all over his body and asked him who he thought he was. He then called Pita and said to him, "Bring me my bag so they can know who I am." When Pita brought the bag, they expected that he would prepare some European medicine for them. But when he brought out his cap and put it on his head, and took his belt and tied it on, they knew that he was not some ordinary person. They all then threw away the things they were carrying on their persons. Each one ran faster than the other. Those who were in the crowd unaware of what had happened, as well as the goat-sellers and the chicken-sellers, ran away, and the market broke up in confusion. Pita fell down laughing. After that, they started their journey again. When they reached Otanchara without realizing it, it had started to get dark.

The next day the chiefs and citizens all flocked in like vultures. Pretty soon they all came and filled up the court house. Some people remained outside.

When the session began, the kotima called Pita and placed him in the dock. All the chiefs then peppered him with questions, both important and unimportant. The clerk knew very well that there was really nothing bad before them that Pita had done, any more than that he had brought the gospel. The clerk himself knew that the gospel was beneficial.

One of the elders then asked a question about the fight Pita had had with the masquerade. The clerk asked them if the masquerade had come to court with them. One person then asked him if he knew what he was talking about, saying "How can a masquerade come to court?" They then told him that he should forget everything concerning the masquerade. The only purpose of the gathering was to decide what should be done to Pita because he had committed an abomination. When they saw that it would be hard for the clerk to sentence Pita without knowing the gist of what he did, they then went outside and consulted and called out the clerk and offered him a large amount of money just so they could have Pita thrown into prison.

It was well known that if you pay a diviner, he digs up a root from the bad bush. But it was obvious to the clerk that Pita had done nothing.

When they entered, the clerk asked Pita if he had heard all the charges they had laid against him, and asked if there was anything he wanted to say. Pita then said that he would listen to them and let them finish saying everything they wanted to say. He then told the clerk that they had forgotten to say one thing. That was that he had killed a large python.

In order to please them, the clerk told them that he would postpone Pita's sentencing until the District Commissioner could come to review it. They all then left.

On the day the D.C. came, the clerk told the D.C. about the case involving Pita and the townspeople. He also told him that he saw nothing really bad that Pita had done. When the D.C. saw that Pita was a fine young man, tall, light-skinned, strong, trim and lank, he was very interested in him. It was not long before the D.C. discovered the wisdom Pita had, and took him back to Onicha and turned him over to a man who worked at crafts in the church there.

Pita then started to learn how to work at crafts by assisting the man and serving him.

Since the people of their land continued to believe that Pita was suffering [lit. peeling fiber with teeth] in prison, they did not know that he was in Onicha learning a craft. Regardless of anything they thought about Pita, he remained at Onicha growing in wisdom, especially in things concerning the word of God. If a poor soul is continually driven off, he will eventually be driven into a better place.

Tuesday, December 14, 2021

FASHION: Spring-Summer 2022: Emmy Kasbit

 


Fashion designer Emmanuel Okoro's "Emmy Kasbit" men's wear new collection for Spring/Summer 2022 collection shot at the National War Museum in Umuahia, Abia State, a heritage site and memorial of The pogrom and Biafran War. 

Nigeria’s Second Civil War

BY SOLA EBISENI
VANGUARD

Boko Haram Islamist Group


I have always wondered at the often-quoted statement that no country survives two civil wars. I do not know the origin of that theory but simply assume that it was based on some empirical evidence by people to whom any form of security or military expertise may not necessarily be ascribed. After all, one would justifiably say there have been two World Wars, yet the world is probably stronger for it.

Now I know better, that the ongoing civil war, which daily gains traction in space and velocity, is very much unlike the earlier one over Biafra which in itself is still ever-present. The raging civil war is also unlike the 16 years (1877-1893) Yoruba Kiriji War, reputed to be the longest civil war in history.

Kiriji, though an internecine war among various tribal states of the Yoruba ethnic nationality, the contending powers knew one another and the causes of the conflict. The coastal Yoruba states of Ilaje and through Ikale and Ondo territories provided the alternative and circumventing routes for the supply of arms to the eastern Yoruba states outside the Egba-Ijebu which the Ibadan was used to. Only the intervention of the British, an armistice entered at ImesiIle in 1886 by the warlords, finally brought peace.

The civil war of 1966-1970 was the first official war since the different constituent ethnic nationalities were grouped together into the modern sovereign state of Nigeria. The war was very clear in its cause and main theatres. The rest of Nigerians were recruited into a Nigerian army fighting their compatriots mainly in the South East and parts of South-South some of whom were actually moles on the Biafran side.

That they were able to hold out for 30 months with the relatively humongous arsenal of the rest of Nigeria speaks volumes of the Ndigbo, not necessarily of its much-vaunted Ogbunigwe military hardware but the pride of the most republican African race. If Nigeria ever thought Biafra was dead with the surrender on January 15, 1970, of Philip Effiong, Ojukwu’s then second in command, events since then are only suggestive of a nation sitting on several kegs of gun powder.

When Muhammadu Buhari took over the Presidency in 2015, not a few people forgot his previous actions and mindset which were absolutely indicative of his incapacity to perform the task of keeping Nigeria one. The Yoruba, especially, would not easily forget the unjustifiable invasion of Awolowo’s house and seizure of his passport to prevent him from leaving Nigeria even when he was then not in any public office.

His lieutenants, as governors, who were absolved by a military tribunal, were never released from detention but re-arraigned by the Buhari junta, two of whom, Professor Ambrose Alli of the old Bendel State and Chief Bisi Onabanjo invariably paid with their lives. But all the above paled into insignificance as the nation was most expectant of a saviour to deal with insecurity which was then essentially confined to the North East territorially.

Contrary to the noise being made by some government spokesmen, including some of the cabinet members who still manage to risk their integrity speaking publicly for this administration, the attitudes of Nigerians today is simply that they want to live. Whatever impact the dollar has on the economy, the people no longer care; they just want to access their farms, if only for subsistence operations until the current hell comes to an end.

Rotimi Amaechi may decide to extend his rail tracks beyond Maradi even to Niamey, even where there is no longer passage from Sokoto Zamfara; the Chief of Naval Staff may choose to avoid the deep sea at the coast of Ilaje in Araromi or Erunna and site his naval base in Kano; Nigerians scrutinizing the nepotistic list of Buhari’s security chiefs currently on tour of the tip of the North West of Sokoto and Zamfara no longer bother if they are all from Daura; they just want to sleep, even if it is with one eye closed for now.

This current civil war has no precedent in history. It has shattered all the myths we used to hold dear. It has thrown up the Middle Belt tribes most vociferously craving its strict identity tucked within states deliberately created to sandwich them within states they could never aspire to govern.

As at the time of writing this on Monday afternoon, the press is agog with never-heard-of Hausa ethnic nationalism. The press reported the emergence of “Hausa Association of Nigeria, also known as Kungiyar Hausawan Nijeriya or KUNHAN, which in an open letter called on President Muhammadu Buhari to resign from office because of the obvious failures of his administration”, adding that “the Buhari regime spared Fulani terrorists and bandits, but went after agitators such as Nnamdi Kanu, the detained leader of the Indigenous People of Biafra and Sunday Adeyemo, aka Sunday Igboho, Yoruba Nation agitator”.

The Association specifically identified “Turji and Co as a high profile deadly Fulani terrorists but still nowhere to be found because they are just a threat to Hausas rather than your sovereignty while Nnamdi Kanu and Sunday Igboho could be found even beyond our territory.”

They listed all the vices of destruction of their means of livelihoods, including the violation of their sisters, wives and mothers which they unpretentiously put at the door steps of some members of the same ethnic nationality the rest of the country has been complaining of since the advent of the Buhari administration to no avail. For those experts, who reasoned that no nation ever survived two civil wars, this intractable and undefined war if allowed to blossom may sing Nigeria’s nunc dimitis.

On APC manifesto and restructuring: It is not part of our culture in Yorubaland for little boys to interfere in the dialogue of elders. So no temptation will make me dwell on some of the issues raised in Chief Bisi Akande’s just released autobiography, My Participations. I was only curious on some of the issues that concern the whole nation which might expose the Yoruba to ridicule on important national affairs. I was dumbfounded to imagine Pa Akande claiming APC never promised Nigerians restructuring and querying the definition of the concept.

I took a look at the manifesto of the party online and the first item therein is that the party shall “initiate action to amend our Constitution with a view to devolving powers, duties and responsibilities to states and local governments in order to entrench true Federalism and the Federal spirit”.

I doubt if the APC would embark on matters which it found impossible to define, even at the time Baba Omokekeke was the national chairman. If restructuring is not about reinventing true Federalism, what really is it?

As a reminder to the former Governor, it was the insistence on the fulfilment of this promise of ensuring the restructuring of Nigeria on the path of true federalism by the citizens, that forced the party to set up the El-Rufai Committee on True Federalism in 2017.

We do not insist on Chief Akande’s understanding of restructuring; we do not even bother if he still recollects that the agitations of NADECO, led by the Afenifere, and its insistence on restructuring through the instrumentality of a Sovereign National Conference, that ultimately provided the platform that made him Governor of Osun State in 1999. All we ask of Chief Akande and the APC lords is to take steps to implement the El-Rufai Report before the 2023 elections.

The PDP members in the National Assembly who have been canvassing for the implementation of the Jonathan 2014 National Conference will readily support the majority APC on its own report. They are both of a kind with the Rufai Committee drawing absolute inspiration from the 2014 edition.

Lest I forget. I was a delegate to the 2014 National Conference, then in my early fifties. Overwhelming majority of the about 84 South West delegates were below 60. While we have less than 20 percent in their 70 and above, we have far older compatriots from other climes.

Pa Edwin Clark, perhaps older than any of the Yoruba elders at the Conference, was the leader of the Southern Nigeria caucus. Alhaji Tanko Yakassai fall into that category, older than Ayo Adebanjo and a convenient uncle to Chief Olu Falae. There was also the Chairman of the Conference, Justice Legbo Kutigi, a former Chief Justice of Nigeria of blessed memory.

Time and space are not on my side, but it is important to inform that the APC, particularly in the South West, deliberately shunned the Conference, except for their Governors who sent three delegates each

In spite of their braggadocio, the Committee set up by the APC, led by El-Rufaicould not go outside the unassailable 2014 CONFAB report

Itsekiri Yoruba origin echoed at Pa Pessu’s 10th birthday in Warri: Over the weekend, our Leader, Chief Ayo Adebanjo, commandeered Abagun Kole Omololu, the National Organising Secretary and I to represent the Afenifere in Warri at the centenary birthday of Pa Daniel Solomon Tuedonjeye Odeworitse Pessu, a former Chief Magistrate, parliamentarian and political juggernaut of the Awolowo school of politics.

It was a celebration that involved noble men and women from all walks of life trooping in and out of the centenarian’s modest residence at Pessu town. Political bigwigs, particularly from Delta State and the celebrated Itsekiri nation, graced the occasion.

As soon as my presence was announced as representing the Afenifere, as Abagun could not make it for flight difficulties, Papa got excited and asked that I sat on the side of his chair. He baffled me with the remembrance of the veterans of the Awolowo political family and the exploits of yesteryears.

Papa DSTO, as he was warmly called, insisted I addressed the gathering before the end of the event. I was quite at home because the Itsekiri tongue and my Ilaje’s shared mutual intelligibility. As I addressed the crowd and reminded them of the Yoruba origin of the Itsekiri, the Iwere children were ecstatic, so confirming their origin. And when I made them understand my own Ilaje background, I heard the shout of “omere”, attesting to the fact that we are siblings.

I left Pessu in high spirits. Papa son, Olu, who himself is a member of the Afenifere was a fantastic company.

NIGERIA TODAY IS LIKE CYPRIAN EKWENSI’S YARN

Cyprien Ekwensi


BY UZOR MAXIM UZOATU


All the demented facets of Nigerian life today, from brazen kidnappings and robberies to rampant prostitution and political heists, are like the many wonderful tales of Cyprian Odiatu Duaka (COD) Ekwensi, who died on November 4, 2007.

Cyprian Ekwensi lived a charmed life as a pathfinder in the annals of African literature and it is a striking tribute that the current shenanigans of Nigeria read like the yarns of the popular writer.

Ekwensi was arguably the most prolific author in the comity of Nigeria’s first generation of acclaimed writers.

A novelist, short story writer, children’s literature master, journalist, pamphleteer, columnist etc, Ekwensi gave the world a formidable body of work that can never be wished away.

He was a nonpareil craftsman of popular literature who got to the heart of his readers without any unnecessary dabbling into obscurantism and self-serving ambiguities.

Cyprian Ekwensi is Mister Nigeria, born in Minna in the North on September 26, 1921 of Igbo parentage and lived most of his life in the Western part of the country.

Ekwensi was without question the most Nigerian of Nigeria’s tribe of writers.

He was versed in Igbo, Hausa and Yoruba cultures, as much as he equally dwelt on the life and mores of the minorities.

He deservedly earned his celebration across the length and breadth of the country as a pan-Nigerian phenomenon.

His work has been acknowledged all over the world such that while I was in Canada as a Distinguished Visitor, I was told by Professor Peter Desbarats, Dean of the Graduate School of Journalism at the University of Western Ontario, that Ekwensi’s Jagua Nana was the only book from Nigeria he had ever read.

Some critics tagged Ekwensi as Africa’s Daniel Defoe, after the irrepressible author of such classics as Robinson Crusoe and Moll Flanders.

Ekwensi was a progenitor of Onitsha Market Literature when, back in 1947, he published When Love Whispers to spur the market literature that flowered in the Nigerian city of Onitsha after the Second World War.

His novel People of the City became one of the pioneer titles of Heinemann’s African Writers Series, such that alongside Chinua Achebe he gave the world a different view of the canon.

The versatility of Ekwensi can be seen in his novel Burning Grass that helped in no small measure to put the Fulani nomads in the global map of literature.

The disease of wandering known as ‘Sokugo’ was popularised by Ekwensi but let’s not go there because of the wandering president!

It is in the documentation of city life that Ekwensi earned lasting plaudits from the literary critics. One of his novels, Jagua Nana, dwells on the travails of the eponymous ageing prostitute and her tango with the young and dashing Freddie.

The book attracted sustained film interest from overseas and it was debated in the Nigerian Parliament of the First Republic, which stopped its filming by an Italian film company.

Ekwensi eventually wrote a sequel of the novel, Jagua Nana’s Daughter, published by Joop Berkhout’s Spectrum Books, Ibadan.

A yarn-spinner with legendary page-turning intensity, Ekwensi authored The Passport of Mallam Illia, which remains an everlasting adventure story that grips the reader from the first page to the last.

Ekwensi’s titles such as An African Night’s Entertainment and The Drummer Boy are ever-present staples in the junior secondary school curriculum in Nigeria.

An old title of his written early in his career but not published, For a Roll of Parchment, was released by Heinemann, Ibadan, and it bore all the hallmarks of the Ekwensi mystique in Nigeria’s promotion of paper qualification.

For a man who had his training as a pharmacist and worked in forestry, Ekwensi astounded the world with his high literary output.

Some critics like Bernth Lindfors had said harsh things about the quality of Ekwensi’s writings while other equally eminent literary scholars such as Ernest Emenyonu rose up solidly in defence of the man from Nkwelle-Ezunaka in Anambra State.

He maintained a home in the very heart of the city of Lagos, at Ojuelegba Road to the very end. His service in the public sphere had been stellar. From 1957 to 1961, he was the Head of Features at the Nigerian Broadcasting Corporation.

He later earned the distinction as the first Nigerian Director of Information in the Federal Ministry of Information.

Ekwensi was the Director-General of Radio Biafra during the Civil War and became the Chairman of the East Central State Library Board after the war.

He would later become the Managing Director of the Star Printing and Publishing Company, Enugu, publishers of the Star group of newspapers.

He was appointed Information Commissioner, Anambra State, in 1983 and reputedly coined the acronym WAI – War Against Indiscipline – that the military regime of General Muhammadu Buhari put into effect.

All the kidnappers, robbers, debtors, looters, and ill-assorted brigands and prostitutes being paraded all over the nation today are quintessential Ekwensi characters! He created all of them in his many fictions before he died.

This way, Cyprian Ekwensi can never really die!

When Igbo Arts And Music Meet…

Gerald Eze image courtesy of Gerald Eze


A recent collaboration between a Visual Artist and designer, Chuma Anagbado and a musician, Gerald Eze, who also doubles as a university music lecturer, is likely to bring about a revolution in the Igbo culture, writes MARY NNAH

“Oja is classical music. It is high art. It is not a bagger’s tool. It is the tool of a master performer. It does not communicate to just anybody, it is played for men of substance. Its appeal cut across cultures, and talks about connected cultures. It is spontaneous, yet it is of high essence. It is a force. It evolves and uplifts us”, these are the words of Gerald Eze, a skilled musical artist and university don, describing the Oja, a vital instrument of the Igbo music and culture.

Eze, who plays over 14 Igbo musical instruments, including the Oja, is collaborating with Chuma Anagbado, a multi-talented artist and designer, whose work cuts across traditional, digital, and emerging creative mediums.


They are both embarking on collaborative missions driving on the indigenous musical instruments of the Igbo and how they both seek to reinterpret the essence and utility of these instruments for a global audience, thereby connecting cultures. Their arts, they say, “Reimagines Igbo culture and identity.”

The collaboration is in the sense that while Eze plays the Oja (flute), at the same time, Anagbado’s laptop synchronises the songs with the digital image of the flute.

The intention, for these two Igbo creative artists, is to preserve the culture for posterity and they are willing to extend the frontiers of the culture and take it to another height with the use of digital arts while also exploring the NFT (Non-Fungible Token) Technology.

This collaboration, according to them, essentially seeks to document and promote Igbo oral musical tradition, particularly through the Oja and Ogene, among other local and contemporary musical instruments in an exhibition to be held before the end of the year.

Speaking on the reason behind the collaboration during a recent press conference, Anagbado said, “In essence both of us are reimagining our culture, which is the Igbo culture. We are actually creating this culture but we are putting it out as NFTs so as to take our culture and put it where it is supposed to be. We imagine what we have and then make it more relevant. So, I am creating the art and he is scoring the music and that becomes a video – an animated piece that is then put out as NFT.”

Speaking further on the essence of the collaboration, Anagbado posited that, “Within the Igbo culture is an embedding consciousness that you have to travel. We are all raised like that. As you grow up, there are reminders, placements and statements that will always remind you that at some point you will need to leave the geographical space of the Igbo. That essentially makes the culture a diaspora culture.

”If you look at all major events and innovation leaps, key players and influencers in Igbo land are mostly diaspora influenced and when I say diaspora, even the Igbos living in Lagos are diaspora. So, there is that consciousness that culture connects diaspora and the homeland. Within the construct of the culture, you must at some point, travel out of the Igbo geographical area to go and learn.

“Now what comes with all of that is that you then have a culture that people experience all over the world. It is likened to the Chinese and the Jews. And because the Igbos travel out a lot, everybody knows about the Igbos. So, the Igbos are like a clue connecting every other person in the world. Igbo culture is one that you would want to preserve but within all of its offering – music, arts and all of that, you have infusions of diaspora influences, like elements that have been picked up from other cultures around the world and that make the culture very robust.

“I will say it’s a universal culture and in preserving it, that culture needs to also travel into all the possibilities and places that it can be. So, it is just natural that we would go into this because we have experienced other cultures. We are doing this, as they would say, for the culture”, Anagbado explained further the essence of this uncommon marriage that brings together the brushstrokes and music.

Anagbado, whose art is driving conversations on cultural heritage, particularly the Igbo oral traditions, believes he is naturally cut out for the Igbo culture and so cannot but always be at the vanguard of stimulating the culture through his various artistic expressions.

With his experience across the world, Anagbado constantly evaluates practical ways of using both material and non-material aspects of Igbo existence in designing new structures and narratives to build a sense of identity.

For him, it is more than just an art project. “We intend to showcase the traditional art which is painting alongside playing the music instrument to show the emotions of art. We enjoin every creator out there to look for deeper meaning in whatever they do and carry an identity. We are really putting it out there that it is very important for people with like-minds to try working together: we can’t grow the culture when we are apart, we need to create a community which is what the collaboration entails.”

Beyond the fusion of music and arts and being creative, Anagbado is of the belief that they both are embarking on a divine assignment to bring the various segments of Igbos together.

“It is well known that Igbos are deeply fragmented, even though you may see a community on the surface – the Igbos are deeply fragmented and highly competitive, so what we are just trying to do is to move from competition to collaboration and from fragmenting to synergy.”

In like manner, Eze, the musician and a lecturer of music at the Nnamdi Azikiwe University, Awka, also promotes and researches indigenous cultures through his music.

Using the Igbo’s traditional musical instrument, particularly the Oja, Obuaka and other 14 instruments, including Ogene, he is out to take the indigenous sound flair of Igbo to a new height.

“Igbo music has always been integrative. Even the shapes of the Oja and Obuaka are pieces of art. Philosophy, literature, music, arts and psychology are all the elements that come together in each festival that we have in the Igbo culture. So it is not out of place to collaborate with Anagbado”, the university don explained.

He noted further that one interesting thing that they both are doing in this collaboration is to explore new opportunities while reimaging the culture and connecting it.

“We explore new opportunities and that is why we are looking at the NFT space. Our ancestors explored the Oja and Igba in the village square but I try to explore the Oja in Highlife, Hip-hop, and Afro beat and these have been very successful. If you check out my videos you will see how the Oja is interacting with the violin effortlessly like it has always been there but this took years of effort.

“Anagbado has been developing his own ideas in the arts and it has taken him years, so the time eventually came for us to meet and since both of us are like minds, we felt we should come together and put out something that is collaborative- Music and Arts- in the NFT space. So, like he said, it is for the culture – to engage people and to keep the narrative going.”

For his message for people from this synergy – for the Igbo culture and other cultures, just like his partner, he said, “A sense of community is very important for the Igbos at this very moment. And the artist is always taking a lead in creating the conscience of his race in making people think critically. The artist takes it upon himself to create and to think.

“When I say artists here, I mean serious musicians, creative fine artists, those in architecture who are really breaking bounds and not just the fine artist. So for both of us to collaborate on this project, we are really putting it out there that it is very important that those of us with like minds should keep coming together because we cannot grow independently. We can develop independently but to sustain the growth, we have to come together. And we also can`t grow the culture when we are apart.”

On this note, Eze is focusing on the message of community – building a sense of community, which is what this collaboration entails.

He noted: “These are the sounds and symbols of the Igbo. They are not just coming to you from one person but from two creative persons who have travelled far and wide collecting ideas, connecting to people, integrating different forms and then we are now together to push it on. So, when these works get to people, I believe it will communicate that essence and feeling of community because whatever we have embedded in the work is also that which truly belongs to the Igbos but that which has truly evolved.”

Quote

I will say it’s a universal culture and in preserving it, that culture needs to also travel into all the possibilities and places that it can be. So, it is just natural that we would go into this because we have experienced other cultures. We are doing this, as they would say, for the culture

--------------THIS DAY

BOOK REVIEW: THE WEALTHCODE OF THE IGBOS – Revealed: How The Igbos Build Thriving Businesses From Nothing

 



Author: ‘Dunsin Oluwasuji
Publisher: The Extra Company
Place of Publication: Lagos
Date of Publication: 2021
Number of Pages: 149


Reviewer: Isaac N. Obasi

Introduction

Creativity was at its best when Oluwadunsin Oluwasuji put his pen on paper to produce an excitingly captivating book titled The Wealthcode of the Igbos in which he splendidly ‘revealed how the Igbos build thriving businesses from nothing’. Both the writer’s creativity and the creativity driving the Igbos’ spirit of industry (his subject matter) were dazzlingly displayed.

Starting with the Dedication, a reader is thrilled on what to expect in this very remarkable book. The Dedication reads: To a nation that rose from the ashes of war and to her people: Sojourners who had nothing but courage and grit, who formed bonds of fellowship, who build empires in strange lands, who enabled the cycle of prosperity, who nurture their young…(p. i). And proceeding further, the author rightly stated that ‘the qualities discussed in this book are not exclusive to the Igbos, but are prevalent amongst them.’

And again to wet the readers’ appetite, the author asked the important question: can wealth be ethnic or are we just playing into a stereotype? After discussing some Nigerian stereotypes in the Preface, Dunsin Oluwasuji cited some authoritative studies on the Jews such as those of Dershowitz Alan, Bush Lawrence, Lipset Seymour and Raab Earl, Siberman Charles, and Steven Silbiger, to go beyond typical stereotypes and present interesting and persuasive evidence to demonstrate that “wealth and success can indeed reside more with one ethnic group than the other” (p.v). With these as background, Dunsin’s thesis is out there in the intellectual market place for further critical inquiry by scholarly minds (and not by intellectual passers-by) in this important area of research.

Structure and Contents of the Book

The book is broadly divided into two parts, namely (a) the author’s own observations, and (b) ‘excerpts from interviews with successful Igbo business owners to see if any patterns emerge’ (p.iii).

Part 1 titled: Why the Igbos build thriving businesses: My observation is made up 14 well-crafted chapters. In this part, the author creatively identified and discussed such vital themes as ‘Igbos learn before they leap’ (Chapter 1); ‘Igbos love to leave’ (Chapter 2); through other chapters like ‘Igbos know how to drive a soft bargain’ (Chapter 6); Igbos mind their pennies’ (Chapter 11); down to other scintillating and perhaps controversial themes as ‘Igbos have a wealth culture’ (Chapter 13), and ‘Igbos are more selfless’ (Chapter 14). This first part of the book provides demonstrative evidence of what I meant earlier about the writer’s creativity being at its best. This part actually demonstrated that theoretically speaking, the writer elevated his thoughts to the level where intellectual minds would be juxtaposing his work with those earlier cited authorities on the industrious spirit of the Jewish people..

One distinguishing feature of each of the 14 chapters is the use of appropriate scriptural quotations to back up his postulations. For example, Chapter 2 titled; ‘Igbos love to leave’ was supported with the Biblical quotation as The Lord had said to Abram, ‘Go from your country, your people and your father’s household to the land I will give you (Genesis 12 v 1). Another example is Chapter 13 titled: ‘Igbos have a wealth culture’ which is supported with Proverbs 22 v 6 which says: Train up a child in the way he should go, and when he is old, he will not depart from it.

Part 2 of the book titled: The Igbos tell it All (Interviews), is no less impressive as Part 1. In this part, the author went further empirical to provide observational and experiential foundation for his theoretical postulations in Part 1. His investigative methodology was superb as he went into the field to interview very successful Igbo entrepreneurs. Specifically, he brought out vividly the experiential benefits of seven business gurus and magnates which he recorded for posterity.

Creatively, the writer gave each of the seven interviews an appropriate title in a manner that provides intellectual evidence and support to his efforts to develop more theoretical principles that are consistent with his earlier postulations in Part 1. For example, the first interview was appropriately titled: The Igbos and the Jews, an Accident of Interaction? The discussions here resonate well with his earlier evidence that wealth and success can indeed reside more with one ethnic group than the other. Some other themes in this part include: the Competitive and collaborative nature of the Igbos; Nature Vs Nurture; The Apprenticeship Advantage; and Trust, Collaboration, Shared Risk: The Strengths of the Igbo.

It will be interesting to compare the chapter on The Competitive and Collaborative nature of the Igbos, with a common view by not-a-few of the Igbos themselves, that the Igbos, do not love themselves. The peddling of this erroneous idea perhaps originated from the historical and political fact that the Igbos, are republican in nature. The idea that the ‘Igbos have no king’ derived from this republican spirit. The common notion that the Igbos do not cooperate among themselves is however well contradicted by the empirical facts emerging from Dunsin’s thesis. Perhaps in politics this may hold some water, but in commerce and industry, this notion is farther away from the truth.

Is the Igbos’ culture of apprenticeship in decline? This is the last issue examined in the book and the discussion leaves everyone in no doubt that this culture will continue to thrive as it is beneficial to the apprentice and to the master. As the author rightly said, mentorship is key.

A Book for Everyone and for all Generations

The Wealthcode of the Igbos is relevant to everyone and indeed all generations of the Igbos – the very young ones (about 7-10 years old) who need to be well-groomed with the early knowledge of their cultural heritage; the adolescents (around 12-19 years) and young adults (around 20-30 years) who need the knowledge of what they are to practise as they grow older in life; the middle aged or older adults less than 64 years, and the elderly (65 years and above) who are preservers and transmitters of good cultural values and practices in family, educational and entrepreneurial life. They all need the book in order help sustain the industrious culture of the Igbos.

Indeed, The Wealthcode of the Igbos is a book for all times as its relevance would continue to resonate with every generation of the Igbos. But in particular, its relevance to the youthful generation cannot be over-emphasised as the values it promotes would greatly help to move them away from the scourge of prevailing ‘violent disease’ afflicting Igbo land. As every Igbo knows, the type and level of violence currently being experienced in Igbo land is strange to its culture.

Conclusion

The author of The Wealthcode of the Igbos is a rare Nigerian who took the pains to carry out a research on the entrepreneurial culture of another ethnic group outside his own. One can rightly describe the author of the book as a cosmopolitan Yoruba and a bridge builder with a farsighted mind. His undiluted love for shared humanity expresses itself in the contents of the book. His book therefore, is very insightful as it confirms with strong empirical evidence the industrious and flourishing apprenticeship practice of the Igbos – a subject matter which has already captured the research attention of the Harvard University in the United States.

Isaac Obasi is a professor in the Department of Public Administration, University of Abuja, Nigeria.


Monday, December 13, 2021

Magic Lines Of Uli Art Style


Uli is an expression of the people’s capacity for creative design, which is firmly rooted in their myths and their experience of life in the past, present and future. At its best, it is an expression of their synthetic present, the epic of their search for a new order in the contemporary world. It is my traditional art style, which I have fallen in love with all over again and it is a privilege to share uli with you in my works. It has been shown that the knowledge of uli motifs and symbols and their application enables one to identify the traditional Igbo artifacts, giving validity to the people’s aesthetic intelligence and judgment. This culture is one of the first known cultures of the world in the recorded archeologically facts to have done bronze casting. (Igboukwu bronze).

Uli symbols may be said to show graphically how the organic forms grow outwards from the core of those elements to point, line, triangle, square and circle that are universal to the concentric circle at the periphery, which contains reflections of everyday world as seen by the artists. Just as the inner circle reflects the uncommon reality or ritual reality of the cultural existence, so the outer circle is in contact with the human and ecological reality, which it expresses.

Artistic activities at Enugu formed part of the early post-1960 independence developments in the country. There was the growing local and international popularity of Nigerian novelists, dramatists, poets, literary critics, architects, artists, and musicians, and scholars. Interesting collaborations took place among those in the literary performing, and visual arts, particularly in southern Nigeria. The efforts and artistic lives of these minds sowed a flourishing seed for an uncommon global harvest. I give thanks to God for these great minds, your outstanding contributions will not be forgotten.

Uli creations relied heavily on drawing skills whose content is based largely on Igbo culture, particularly female body and wall painting called uli and on Igbo tales, ceremonies, and beliefs. The revival of interest in uli through contemporary art had begun with Uche Okeke in the 1960s, when Nigeria’s independence produced a growing sense of freedom from colonial restraints on cultural tradition. It fully developed among teachers and students in the 1970s at the University in Nsukka and was linked to renewed interest in Igbo culture after the destructive Biafran War.

Traditional uli motifs, now rarely painted on human bodies or walls, have a strong linear, often curvilinear, quality. The art makes use of contrasts between positive and negative space, its images at times appearing as sky constellations. Uli’s lyrical qualities express harmony and brevity. It is art style that has often been created in freedom and spontaneity. “Uli is a pride heritage”. Uli motifs generally refer to images of everyday Igbo life, farm and cooking tools, pots, plants, birds, animals, the sun, the moon, and the kola nut, though some are pure design. For ceremonial occasions and important events, skilled Igbo female artists painted uli to add beauty to the human body and the walls of buildings and compounds. Uli has made her way in modern social settings; on sculptural surfaces and on paper, board, and canvas, framed and hung on walls in homes, institutions, and galleries of the world.

Magic of Uli Lines, which is an extended dot or a moving point, has very many possibilities, particularly, the quickly drawn one. My drawing explores the evocative and lyrical possibilities of line and derives from Uli. The Uli artist works spontaneously whether on the human body or the wall. There is no question of erasing or cleaning. There is something about the spontaneously executed work, a breathtaking vitality and freshness that defy description or repetition.

An analysis of Igbo drawing and painting reveals that space, line pattern, brevity and spontaneity seem to be the pillars on which the rich tradition and heritage rests. It is these unique qualities that I strive for, both intuitive and intellectually to assimilate in my work. Intuitively, because during my years of studying and looking at Igbo sculpture, drawing and painting, various aspects of design and recurrent motifs have become internalized in my system and inevitably surface unconsciously in the course of executing my aesthetic challenges. It is perhaps needless to add that the great works of art is a result of the harmonious marriage of intellect and intuition.


--------------------RECENTLY HEARD
(Mbari Image Via The University Of Iowa)

Nd'Igbo: 10 Years Without Ojukwu



BY MAGNUS EZE AND GEORGE ONYEJIUWA


Igbo hero, Dim Chukwuemeka Odumegwu Ojukwu, who led the people of defunct Eastern Region to a 30-month war between Biafra and Nigeria, died on November 26, 2011. In commemoration of his death, founder of the Movement for Actualization of the Sovereign State Biafra (MASSOB) and the Biafra Independent Movement (BIM), Chief Ralph Uwazuruike, has consistently hosted the Ojukwu Day on November 26 at the Ojukwu Memorial Library built in honour of the Ezeigbo Gburugburu, in Owerri, Imo State capital.

The celebrations were usually marked with fanfare and have attracted the Igbo and other Nigerians from far and near. In the last decade since the Ojukwu Day began, several important personalities from across Nigeria had graced the event including the late founder of Odua People’s Congress (OPC), Dr Fredrick Fasheun; Major Al Mustapha, Chief Security Officer to the late Military Head of State General Sani Abacha and the 1996 Long Jump Olympic Gold medalist, Assistant Commissioner of Police, Chioma Ajunwa.
Breaking News, Nigerians can now work in Nigeria and get paid in US Dollars Click here to apply today .

The late Nri monarch, Onyesor Obidigwu; former Secretary General of Ohanaeze Ndigbo Worldwide; Uche Okukwu; Niger Delta activist, Asari Dokubo; former Ohanaeze Ndigbo President General and Secretary General, Dr Dozie Ikedife and Col. Joe Achuzie (Rtd) respectively as well as politicians had also graced the memorial.

Ojukwu Day has become a veritable platform where issues militating against Ndigbo are discussed and solutions proffered. Chairman of this year’s event was no less a person than Afamefuna Ojukwu, son of Bianca, widow of the late Biafra leader. The younger Ojukwu who has become the youngest chairman of the event was fittingly ushered into the arena by the Ijele masquerade, the biggest masquerade in Igbo land.

Painfully, no South East state government has in the past 10 years identified with the Ojukwu Day, this was condemned by Afamefuna. He accused governors of the five South East states of abandoning his father in death. His mother, Bianca, had raised similar issue in the past. She alleged that Governor Chief Willie Obiano of Anmabra State has not given her husband the due recognition, but using his name during elections.

Afamefuna lamented governments of states, which his father fought to defend their people turned their backs on him after his burial. He praised Uwazuruike for keeping Ojukwu’s name alive at all cost and urged the Igbo to use the 10th anniversary of his exit to look back and look deep, while not forgetting the vision planted so long ago:

“Ten years ago, when my father, Ikemba, Eze Igbo Gburugburu left us, I was a child. Yet, I can never forget the outpouring of love that you, ummu nne m, showed him. In life and in death, you stood with him.

“Since that fateful day 10 years ago, Okenwa, Chief Ralph Uwazuruike, who in his lifetime took the baton of fighting for our people, has also taken it upon himself to celebrate my father year after year. As he honoured the Ikemba in life, he has continued to honour him in death.

“In these almost 10 years, no state governor in the South East has done this incredible and noble task, despite the fact that Eze Igbo Gburugburu was our leader through a war to save us from the genocide that faced our people.

“Today, we live in a world where many prefer to forget the battles waged to bring us this far, the sacrifices of so many in this unrelenting quest to end our marginalisation and the continued fight for a just and equitable state that we can live in without oppression. Nobody without passion for his people and a spirit of sacrifice can lead us to the Promised Land, no matter how genuine their intentions may be.”

Deputy Governor of Anambra State, Dr Nkem Okeke, who was the special guest of honour, also commended Uwazuruike: “We are here today to honour the memory of a great man, a true son of Ndigbo. He was a brave man with integrity who loved his people and stood for truth all his life. I am here to show solidarity to his family and I will continue to stand by them.

“Ndigbo are great people and all we need is unity of purpose and with that we can achieve whatever we want. We must stand together and if we don’t do that, we will never achieve our desired position in Nigeria.”

The guest speaker, Prof Proteus Uzoma, presented a paper titled; “The Marginalization of Igbo Nation and the Call for Nigerian unity –The Way Forward.” He noted that the Igbo nation has continued to face enormous political and economic challenges since the instigated and imposed civil war by the General Yakubu Gowon-led Federal Military Government.

He asserted that Nigeria would only be considered normal in terms of where Ndigbo stood vis-a-vis the other ethnic nationalities politically and economically. The Professor of Philosophy noted: “The Igbo people in reality experienced an overwhelming level of disadvantages based on public policies that seemed crafted to undermine their ability to maximize political and economic potentials.

“The restructuring of Nigeria to create more states for the northern states to the detriment of the Southern Nigeria, especially, the South ast was not only an impediment politically; it impacts the economic potentials of the Igbo people negatively.

“Such policies as the failure to rehabilitate the Biafra land after the war, the 20 Pound flat refund to any Biafran who wished to convert the old currency, or deposits with bank prior to the war; the Nigerian Enterprises Promotion Decree of 1972, also known as Indigenization Decree, federal character principle, manipulated population census, creation of states and local government areas in favour of the Northern Nigeria, deliberate underuse of seaports within the Igbo axis, lack of standard international airport and other exploitative actions speak volume.

“These formed many overt and indirect actions to diminish the ability of the Igbo people to compete on a level-playing ground with other major ethnic groups. This has given rise to the current agitation in the South East for equity, justice and fairness.”

He posited that the only remedy to the current agitation both in the South East/South West is restructuring of Nigeria into a true and real federal polity as well as conceding the presidential slot to the Igbo in 2023 for equity and justice:

“The crux of the matter lies in fact that the Nigerian Federal Government has too much powers, plays dominant roles and overbearing influences that have been grossly abused, thus leading to intensified calls for restructuring, coupled with suppressed frustrations and resentment during the military interregnum; resulting in inter-communal violence now threatening the peace and unity of Nigeria.

“Come 2023 and in accordance with the gentleman’s agreement among the Southern and Northern Nigeria in 1998, power must rotate to the Southern Nigeria, and since the South West and South-South have taken their own shots to the Presidency since 1999, ‘to-be-and-not-to-be’ is the question. Will a South-Easterner be the next President of Nigeria or not?”

Bianca in a vote of thanks lauded Uwazuruike for ensuring that the memory of her late husband was kept alive: “Some other person may have given up after two years. But this is the tenth year and I am grateful for what he has been doing including the Ikemba Ojukwu Library he built.”

She called on President Muhammadu Buhari to heed the appeal of eminent Igbo elders led by First Republic aviation minister, Chief Mbazuluike Amaechi, who recently paid him a visit to ask for the release of detained leader of the Indigenous People of Biafra (IPOB), Nnamdi Kanu.


The King Of The Jews

 

Leader of the Indigenous People of Biafra (IPOB), Nnamdi Kanu, wears a Jewish prayer shawl as he walks in his garden at his house in Umuahia, on May 26, 2017, before meeting veterans of the Biafran War. Image: Marco Longari via AFP


Biafran separatist leader Nnamdi Kanu has infused his movement with a Jewish sectarian identity in a country riven by tensions between Christians and Muslims. Is he putting Nigeria’s Igbo Jewish community at risk?

TABLET MAGAZINE

In early July, three young Israeli filmmakers—Rudy Rochman, Andrew Noam Leibman, and Edouard David Benaym—traveled to Nigeria to film a documentary on Africa’s lesser known Jewish communities. They were arrested by the Department of State Services (DSS), Nigeria’s internal security organization, on informal charges of supporting Biafran independence, and were held in custody under reportedly terrible conditions for 20 days, along with an Igbo Jewish woman. For the duration of their arrest, the Israeli filmmakers were not informed about the charge or the expected length of their detention. Their capture seems to have been prompted by photos showing them presenting a Sefer Torah to a local shul, and a shiviti to a local Igbo royal, that were shared on Facebook by political supporters of Biafran independence.

Thus did the filmmakers learn about Nigeria’s Igbo problématique in the hardest possible way: Biafra, a southeastern territory that seceded from Nigeria between 1967 and 1970, is predominantly populated by the Igbos, 2 million of whom died of starvation during the Nigerian Civil War. Jeff L. Lieberman’s 2012 documentary, Re-Emerging: The Jews of Nigeria, had drawn attention to the fledgling community of Torah observant converts among the Igbo, who consider themselves “biological” Jews, but didn’t so much as mention the issue of Biafra secessionism or Igbo nationalism.

But when the face of the secessionist movement, Indigenous People of Biafra (IPOB) founder Nnamdi Kanu, was arrested on June 27, 2021, his supporters abroad protested for his release by waving Israeli flags. In 2017, after a similar arrest and 19 months in custody, Kanu had declared himself a Jew and a “believer in Judaism” in front of the judge. In 2018, while on Israeli television, Kanu called on Israel to “come and defend Judaism all over the world.” In March of this year, his opponents within Nigeria’s Jewish community (including Chief Arthur-Regis Odidika, president of the Nigeria Jewish Community) publicly claimed that Kanu’s ethnic Igbo secessionist supporters are trying to take over the otherwise apolitical and peaceful Jewish communities in southeastern Nigeria, and accused him of un-Jewish “proselytizing” on Radio Biafra. As of this writing, Kanu remains in the custody of Nigeria’s DSS, and his trial, adjourned for the first time in late summer, was adjourned again after Oct. 21, when he pleaded not guilty to charges of “terrorism, treason, involvement with a banned separatist movement, inciting public violence through radio broadcasts, and defamation of Nigerian authorities through broadcasts.”

Kanu’s mix of Jewish identity, rock star political status, and advocacy for ethnic separatism is an unusual one. It is difficult to deny that he is advocating for an armed insurgency among Igbos, a “tribe” that numbers upward of 50 million people in a country with a total population of 206 million. Igbos have historically constituted a majority in southeastern Nigeria, have traditionally maintained “acephalous” political systems (i.e., lacking in leaders or hierarchies, instead depending on consensus among different age groups and secret societies), and have also upheld cultural traditions of matriarchy, as well as shared political power among both women and men. Today the Igbos are famous for their entrepreneurial spirit.

Beyond the well-known case of Ethiopia’s Jews, sizable Jewish communities have existed all over Africa. In Uganda, South Africa, and Zimbabwe, genetic traces of Cohenic ancestry were recently discovered, and in the Sahel, the Jewish presence goes back millennia. But no DNA evidence has yet substantiated Igbo claims to Jewish ancestry, although the claim is at least as old as the late 18th century, when it was made by the Black British intellectual and abolitionist Olaudah Equiano. In Kanu’s idiosyncratic version of history, 50 million Igbos are in fact 50 million Jews, the vast majority of whom are Christian merely because they were misled by colonialist missionaries. Estimates put the mainstream Igbo Jewish population in Nigeria at only 12,000-15,000. But in Kanu’s telling, the Igbo Jews have no intention of remaining part of Nigeria or settling in Israel, but only of bringing about the independent State of Biafra.

Behind Kanu’s grand claim is, in fact, a core group of diehards. Kanu may be an eccentric who has himself photographed in tallit and a Fendi tracksuit at the Kotel or in the custody of security agents at undisclosed airports. But Nigeria’s very serious Igbo Jewish community is earnest in its beliefs. William F.S. Miles’ 2012 book, Jews of Nigeria: An Afro-Judaic Odyssey, provides a vivid account of the fervor with which mitzvot are performed by the Igbos, from bar mitzvah celebrations and davening, to concern for the timing of lighting Shabbos candles, mikvah rituals, putting on tefillin, and even women donning wigs. Some synagogues in Nigeria are eager for a more Orthodox relationship with Torah that reminds one of some Breslov communities, in which balei teshuvah (the newly religious) make up the majority. It is no coincidence, perhaps, that the Breslov Rabbi in Jerusalem Dror Moshe Cassouto considers the Igbo a lost tribe of Israel and shares sympathetic accounts of their plight on his Facebook page.

Others in Israel have shown less enthusiasm: In 1993, the Israeli Supreme Court declared that Igbos were not Jews, and David Sperling, professor emeritus of Bible at Hebrew Union College, has said that the notion of Igbos as a lost tribe is “mythical.” Miles, who does not deny that genetic claims are unsubstantiated, argues nevertheless that in the case of the Igbos, theology should trump DNA, given the seriousness of their practical commitments and observance.

According to Igbo lore, their common ancestor is Eri, the fifth son of Gad. Igbo customs that point to a possible Judaic connection have historically included circumcision on the eighth day of life (universal for Igbo males), niddah (physical separation of married women during menstrual cycles), ritual slaughter of animals, and new moon celebrations, to name a few. For practical purposes, however, any verifiable connection to modern Judaism is a contemporary phenomenon, stretching back no further than the late 1960s. The largest denominations of Igbos today are Roman Catholic, Anglican, and Protestant (including Pentecostal and born-again) Christian. One of the more interesting questions is how a modern Jewish community of any size managed to emerge in a hotbed of fervent Christianity. Here it helps to employ a North American parallel.

Messianic Judaism, Jews for Jesus, and similar groups were originally founded with the aim of converting Jews to Christianity. Rabbis like Michael Skobac in Canada and Tovia Singer in Israel spent years trying to keep vulnerable Jews from falling prey to the theology and practices of Messianic Jewish groups, which they saw as engaged in clear subterfuge. But as they did so, they noticed a surprising phenomenon: The messianic groups were actually attracting small groups of Protestants (and other Christians), who then began to move closer to normative Judaism. Today, there is a small Noahide movement in the United States; Orthodox Judaism is the professed ideal of the community, in which most members are former Protestants.

In terms of the number of adherents, messianic groups in Nigeria far outweigh normative Jewish ones. But there has been an observable movement recently by some of the former in the direction of the latter. As a member of a Yahweh Yahshua Synagogue in the city of Umuahia and the scion of the local royal family, Nnamdi Kanu is as much a particularist religious preacher as a separatist political leader. His speeches are peppered with Hebrew names for God (his preference is "Elohim,” perhaps to signify the judgments his enemies should expect from the Heavenly Court), Shabbat, and Israel. He often talks of “this gospel of redemption,” by which he means Biafran armed struggle for independence. But he is often at pains to distance himself from the born-again movements prevalent in Nigeria. He warns against praying to Jesus, presenting him as merely a teacher, the way Unitarian Christians would. Adding to the complexity, he does not discuss the return of the Messiah, but does say things like, “In the year of the Most High Elohim, 2021.”

As an orator, Kanu rages angrily and emotionally as he attacks what he perceives as Fulani (Muslim) domination of Nigeria. He often conflates former generals, oil rig owners, political bosses, and nomadic herders all as the same Fulani. And he takes radical and progressive stances on sociopolitical issues like industrial policy and unemployment. All this appears to be at odds with the constituency of mostly peaceful and earnest Igbo Jews, who do not in any way seem to represent an ethnic secessionist vanguard, let alone a mass movement of 50 million people. According to Odidika, president of the Nigeria Jewish Community and Kanu’s opponent, what we are witnessing instead is an ethnic secessionist movement that is adopting a Jewish religious identity as a way of defining itself against the Messianic, Christian, and Muslim groups from which it seeks to declare independence.

This is, potentially, no small matter. In Nigeria, home to Boko Haram, religion is often a question of life and death, and many of the country’s political problems can take on a religious form. Kanu himself has made his Judaism an ideological weapon with which to fight Muslims (his preferred terminology for the Fulani is Janjaweed, the pro-government militant group of Darfur renown). He calls Nigeria “the zoo,” and his opponents “animals” and “midgets.” In contrast, according to the Igbo Jewish historian Remy Ilona, normative Igbo Jews do not by and large share Kanu’s hatred of Islam or Muslims.

That Kanu’s political program does have an audience likely has more to do with Nigeria’s problems writ large. Nigeria is a major oil producer, and after 2018 it became Africa’s largest economy. It is also a cultural powerhouse, whose high literature is celebrated abroad, whose music and Nollywood films have a global following, and whose vibrant press, civil society, and trade unions are the envy of West Africa. At the same time, a numerical majority of Nigerians live in absolute poverty, and enjoy only a few hours of “town electricity” on most days. Boko Haram and other extremist jihadi groups run rampant across the country, and the Nigerian Army is currently deployed (as opposed to being stationed) in 22 of the federation’s 36 states. Kidnapping, armed robbery, and government dysfunction and predation are features of everyday life. There is a lively scholarly debate about whether the country is currently a failed state, a failing state, or a “successful failed state.”

Kanu’s push for Biafran independence from the federal government thus strikes some people in southeastern Nigeria as far from insane, if not necessarily the best option. But if the Nigerian government commits the mistake of making the imprisoned Kanu into a martyr for the Igbo separatist cause, it may boost Igbo “political Judaism” in the process, perhaps similar to the way the dreaded Boko Haram rose to prominence after its founder allegedly met his death under opaque circumstances at the hands of the Nigerian police. The longer the federal government goes without addressing structural problems like endemic injustice and corruption, the exploitation of religious and ethnic differences by political opportunists will only proliferate. The majority of Igbo Jews may want to simply be left alone and out of this mess, but like other diaspora communities throughout history, they may find themselves instead at the center of a storm.

Two Penn Seniors Named 2022 Marshall Scholars

Two Penn seniors in the College of Arts and Sciences, Kennedy Crowder and Chinaza Ruth Okonkwo, have been named 2022 Marshall Scholars. Established by the British government, the Marshall Scholarship funds up to three years of study for a graduate degree in any field at an institution in the United Kingdom.


PENN TODAY
DEC 13, 2021

University 0f Pennsylvania seniors Kennedy Crowder and Chinaza Ruth Okonkwo have been named 2022 Marshall Scholars. Established by the British government, the Marshall Scholarship funds up to three years of study for a graduate degree in any field at an institution in the United Kingdom.

Crowder and Okonkwo are among the 41 Marshall Scholars for 2022 representing 33 institutions in the United States, chosen from 1,000 applicants. The prestigious scholarship, meant to strengthen U.S.-U.K. relations, is offered to as many as 50 Americans each year.

Crowder, of Landenberg, Pennsylvania, is majoring in English, minoring in East Asian languages and civilizations with a concentration in Japanese, and earning the certificate in American Sign Language in the College of Arts and Sciences. With an interest in critical and creative writing, Crowder is a peer tutor, a course-embedded writing fellow, and a Robeson High School Initiative teacher and curriculum developer at Penn’s Mark's Family Center for Excellence in Writing. She is executive editor for the Penn Undergraduate Law Journal, managing editor for the F-Word feminist literary magazine, and managing editor for The Penn Review literary magazine. In the summer of 2020, she created the collective Black Penn English, a discussion space and support group for Black members of the English Department. Crowder is the inaugural recipient of the English Department Community Award and is in the English Honors Program. An advocate for Black academic excellence, she is a member of the Gamma Epsilon Chapter of Appha Kappa Alpha Sorority Inc. and the Paul Robeson and Anna Julia Cooper Scholars Program and is the community service chair of the Onyx Senior Honor Society. Crowder plans to pursue a master’s degree in Black humanities at the University of Bristol followed by a master’s degree in English and related literature at the University of York.

Okonkwo, of Los Angeles, is majoring in philosophy and history in the College of Arts and Sciences with a concentration in moral and political philosophy and world history and minors in Africana studies; gender, sexuality, and women’s studies; and Native American and Indigenous studies. They submatriculated into the philosophy master's program and will also receive their master's degree upon graduation in May. Okonkwo is a 2021 Beinecke Scholar, an Andrea Mitchell Center Undergraduate Fellow, a Wolf Humanities Center Undergraduate Fellow a Mellon Mays Research Fellow, a Perry World House Student Fellow,  a Robeson Cooper Scholar, and a Benjamin Franklin Scholar. They have done extensive research across the humanities and social sciences throughout their Penn career. Okonkwo’s current independent research project on Igbo philosophy aims to explore Igbo metaphysics and epistemology and reshape the understanding of indigeneity as it relates to Africa. They are also interested in Igbo political philosophy and institutions and in the history of Igbo women’s war. They were an editor for the Penn History Review, a Research Peer Advisor, and founder of a digital radical reading collective. Okonkwo plans to pursue a B.Phil. degree and a D.Phil. degree in philosophy at the University of Oxford.

Crowder and Okonkwo applied for the Marshall Scholarship with assistance from the Center for Undergraduate Research ad Fellowships. Penn has had 21 Marshall Scholars since the scholarship’s inception in 1953 and seven in the past four years.